The Shape Of You

At first I was like "is an Ed Sheeran reference going to make this comic seem dated" but then remembered Ed Sheeran's music sucks no matter what year it is

At first I was like "is an Ed Sheeran reference going to make this comic seem dated" but then remembered Ed Sheeran's music sucks no matter what year it is
Via divers alarums and excursions we have established that the oven seems to trip All The Electrics... when it hits A Certain Temperature. ( Read more... )
But. BUT. Today I SAW THE BAT for the first time this year (having been doing a questionable job of actually managing to watch for it at bat o'clock over the last several weeks); and my Special Interest In Moving My Body went surprisingly well; and A curled up on the sofa and did some more Reading About Special Interest with me; and I am actually doing alright.
In partnership with the Maxwell/Hanrahan Foundation, the Guild of Book Workers is pleased to announce a new funding opportunity for any individuals who identify as BIPOC (Black, Indigenous, and People of Color) within the Book Arts community.
The scholarship is designed to help expand funding opportunities in the area of Book Arts to support creative projects, education and research.
Individual grants will be awarded in the full sum of $1,000 and a complimentary Guild of Book Workers membership for 1 year. Awarded funds will be payable to individuals with a US tax ID.
Awardees will be required to submit a brief write-up for the Guild of Book Workers Newsletter summarizing the experience and impact of the grant.
This fiscal year’s grant money must be expended by June 30, 2026. Submit your application by April 20, 2026.
Project proposals may include but are not limited to:
- Taking a class offered through a book arts institution
- Materials fees for a university class
- Private study with a bookbinder
- For the purchase of materials necessary to teach a class, etc.
- Costs of travel for research related to Book History, Book Arts, etc.
- Materials to purchase supplies for an individual book project or develop an entry for an exhibition
- Press time for printing
- Support the purchase of big ticket bookbinding equipment
Beginning March 5, you can find the application to apply here: (link)
Thank you for helping us spread the word!
Membership Outreach Committee
Guild of Book Workers

This is an 800 year old play based on events 2,500 years ago in China, the first Chinese play to be translated into any European language (about 300 years ago). The Royal Shakespeare Company commissioned James Fenton to adapt it for a production about 13 years ago, and a student theatre group are putting that adaptation on at the ADC in Cambridge this week.
I went to see it last night with Charles, and also Olivia, one of my friends from Womens Blues. (We then found two of my Huskies teammates in the audience so it became an accidental hockey social.) We saw a little first-night talk beforehand from the director and some of the actors, about why they chose this play and some of their favourite lines and aspects of the characters they play. The play itself was very good, very gripping, a revenge tragedy with a very high body count and an ending I didn't quite expect.
The kind of evening that makes me remember how much I like living in this weird little city in the fens.
(and, in further "wow I love living in walking distance of the ADC" news, here's what I'm hoping to get to between now and early May:
)

Moray is safety conscious

Back at the beginning of January
beadsbuttonslace wrote up some reflections on this book, which interested me enough that I put in a hold on my library's only digital copy, which was an audiobook, and then I managed to listen to it in under a week, and now I am subscribed to Johnston's newsletter (and reading its archives) and also trying to work out whether I want to buy a physical copy or a digital copy for my own library.
Which is to say: I liked it. A lot.
( Read more... )
And some final notes: